“Ninety percent of most magic merely consists of knowing one extra
fact.”
― Terry Pratchett, Night
Watch
What is it about magic that makes it so addictive?
Sure, we'd all love superpowers. But real-world magicians are
fascinating for the way they can make the impossible seem possible. I
love movies about magicians in the same way that I love heist movies
or a great crime TV show (my favorites are the Ocean's Trilogy,
Guy Ritchie's blockbusters and TV show Elementary): The thrill
of seeing a problem that can't be solved, then watching it get solved
anyway.
While writing Coin Tricks, my novel with a street magician
romantic lead, I had a great excuse to delve into stories about
magicians. Here are my three favorites, and what I think makes them
so great.
|
From the Hellblazer wiki |
What makes John Constantine a stand-out magician is how seldom he
uses magic.
Each volume of the comics follows an arc: John gets into trouble, he
wise-cracks as the mystery deepens and he digs himself further into
trouble as you start to think his enemies are stronger/better/smarter
than him, then finally (usually in
the last few pages of the comic) he delivers a scathing come-back and
a simple piece of magic that bring him out victorious.
|
Still of Keanu Reeves from the 2005 movie Constantine |
Hellblazer hasn't translated
to the screen well. First
Keanu Reeves played JohnConstantine deadpan and
skilled at fisticuffs with a comic-relief sidekick. Nearly 10 years
later
the TV show cast Matt Ryan as closer to the Sting-inspired
comic book John Constantine. Unfortunately that decade delay between
the movie and the show saw 10 years of
Supernatural,
a show with similar themes and a character (Castiel) dressed to look
like Constantine. The sad fact is that by the time
Constantine
hit the screens, Constantine's image was already familiar and all the
angel-and-demon themes had been done to death.
|
Matt Ryan as magician John Constantine |
|
Misha Collins as angel Castiel in Supernatural |
But—like how I prefer the
monster-of-the-week early format of Supernatural—I think the best Hellblazer comics
aren't about a grand war between angels and demons, they're
about a dirty magician just trying to get by.
Highlights include the time
Constantine embarrassed a whole group of white supremacists, the time
he tricked a monstrous talking dog not to attack him by rolling on
his back in a posture of submission, or that time a demon melded a
gang of hooligans into one ferocious monster which Constantine
destroyed by pointing out that different parts of it supported
different football teams (so
it tore itself apart).
|
Christian Bale and Hugh Jackman in The Prestige |
The Prestige is brilliant
even if you don't frame it as a Batman vs Wolverine movie with
illusion and sleight-of-hand in the place of superpowers. With an
all-star cast and writer/director Christopher Nolan (of Inception,
The Dark Knight and Memento
fame, the latter two and The Prestige
were also written with his Jonathan Nolan), it's no surprise that The
Prestige is a complex and
psychologically thrilling tale that's beautiful to look at.
But what makes it the best magic
film is the contrast between the different magicians—the two
stars and their fabricators/mentors and assistants all have their own
perspectives on magic and we're shown these different views
seamlessly as part of the plot and character development. It's
especially satisfying to see the difference in a successful magician
who wants to be famous and out-do his rivals, contrasted with a
successful magician who just wants to surprise and satisfy people and
to hear their applause.
Michael Chabon's Pulitzer-winning
novel is a brilliant blend of the pulp and the literary, showing that
an intricate and emotionally-driven plot dealing with death, war,
race and sexuality can still fit beside pop culture elements like
comic books and superheroes.
All too often we're told that
anything fun is frivolous and superheroes only belong in
popcorn-selling blockbuster movies, and that if a novel isn't serious
and difficult to read then it can't be edifying so isn't worth
reading.
I never understood the appeal of the
Golden Age of Comics until I read Kavalier and Clay. The
plot focuses on two comic book creators in 1940's New York City and
their struggles to create art (while getting paid) in the midst of
war and turmoil. Their most famous creation, The Escapist, is
inspired by Houdini, and both comic creators are passionate about
performance magic. There's so much passion and joy in this novel (as
well as plenty of misery and heartbreak), and it's so vividly written
that you feel exactly what it was like to be a young comics creator
in the boom of comics and superheroes.
Magic and magicians weave their way
through a twisting tale which also features superheroes, comic books,
a massive clay golem and exquisite prose. What's not to love?